4: 50 pm: A standoff. Momentary tension as hooves steady to position in the bony soil. The flock disperses. Silent knowledge held only between brothers. 5:40 pm: The party has retreated to evening pastures, leaving me alone in threadbare clothes and skin flushed red from exposure. Good Lord, but I am thankful for Spring's final arrival in Estérençuby.
A blog compiled by Neeve and Claire which tends to feature; screenshots | internet diversions | lens media | fashion | fluorescent lights | maps | extra large google image search | detail shots | dead ends | gold | faux bois | suburbs at night | spotlights | dogs | Russia | Ciara | palm trees | film stills | the aesthetics of rugby | music videos | colour palettes | aerial photography | adornment |
Thursday, May 17, 2012
'Sheep View'
Sunday, May 6, 2012
In the Mood for Monaco
Publication: Die Weltwoche
Issue: April/May 2012
Title: In The Mood For Monte Carlo
Model: Hanna Wahmer
Photography: Jonas Unger
Styling: Anna Schiffel
SOURCE
Tuesday, May 1, 2012
The City of Samba 2011
With the constant shift in perceptible scale, from tiny model-city to large cityscape, -which is largely due to the combination of the stop motion and the 'tilt shift' filter- I was pondering whether perhaps I was actually watching an improbable, fabulous and fantastic Carnival put on by insects...or perhaps it's actually an amazingly elaborate plastic model which someone has somehow managed to convincingly animate. Generally I can't abide use of the despicable 'tilt shift' filter/effect (I'm well aware that I'm probably alone in this camp) however, I'm forced into rethinking this standpoint as it has been so cleverly employed here. I've always been fascinated with the surreal spectacle that is Carnival and the acrid, over-vivacious saturation and stop-motion effects in this clip, heighten this captivating display, moreover, the frenzied, ant's-nest / bee-hive-like energy of Carnival is definitely present.
The City of Samba from Jarbas Agnelli on Vimeo.
p.s. wish I could choose a different still for the video embed, don't let the somewhat crass title-sequence put you off.